Lena, Janne, Julian, Anton and Fabian have been awarded with a Residency at the VRHAM Festival for their work on BE B:E:R:N:D! You can see the installation at the festival from 07.06. to 15.06. Congrats!
This research project is a ritual performance in which Axolotls, a type of amphibians original from the México Valley lake-systems, are the central coordinating stage element. “Amphibian Prayer” reflects on the present stratigraphical era of the Anthropocene, the age of Planet Earth under human domain, and the severe consequences of anthropogenic climate change considering Earth´s biodiversity. An important trend in biology and earth-system sciences suggest that the 6th Mass Extinction is already on course, predicting the disappearance of at least 75% of the species on the planet. Combining staging elements such as live microscopic visuals, a hybrid digi-vegetal stage design, choreography and testimonial theater, this performance is a human apology to an endangered species, the Axolotl.
See / Not
Auf dem unendlichen Ozean machen Menschen Erfahrungen existentieller Not, um zu leben. Auf dem Land rationalisieren andere Menschen diese Notlagen, um mit ihnen leben zu können.Die Installation will diese Spannung erfahrbar machen, ohne die Chimäre einer Lösung anzubieten.
MEK KING KRB!
(Anna Vera Kelle, Leoni Voegelin)
Jugendliche aus Hamburg haben die Graffiti an den Wänden und Mauern der einzelnen Stadtbezirke gesammelt und gedeutet. Für Eimsbüttel könnte die Botschaft deutlicher nicht sein: Der Reichtum in unserer Gesellschaft ist ungleich verteilt und die Schere scheint sich immer weiter zu öffnen. Die Frage nach Verteilungsgerechtigkeit ist dringlicher als je zuvor! Eine Gesellschaftssimulation gibt die Möglichkeit in verschiedenen Rollen und über einen Zeitraum von 30 Minuten, Handlungsmöglichkeiten zu erforschen. Wie verteilt ihr?(Prototyp einer Gesellschaftssimulation für das Hamburger Menetekel – ein futurologischer Kongress am 24.-26. Mai 2019 im SchauSpielHaus Hamburg von Vera Voegelin.)
(Anton Krause, Fabian Raith, Lena Eikenbusch, Janne Nora Kummer, Julian Jungel)
A hyperlocal clifi-game for four players, that includes Augmented Reality, Virtual Reality, a retro text adventure, an audio discovery experience and a lot of discussions with your teammates. Save your favourite spots in Berlin from the negative effects of climate change- or is it already too late?
Die forschende Praxis war in der Kunst, aber auch in den Wissenschaften mit dem Versprechen der Emanzipation und des selbstkritischen Denkens verknüpft und mit ihr ging ein Wissensbegriff der Reflexion und Subjektivierung einher.*1 Es verwundert deshalb nicht, dass sie nicht nur in der Kunst, sondern auch in der Pädagogik seit den Siebziger Jahren eine zentrale und gesellschaftskritische Rolle innehat. So setzte die Didaktik auf das Forschende Lernen; mit ihm sollte sich die Selbstverantwortlichkeit und Eigenständigkeit der Studierenden bezüglich ihrer Methoden und Themenstellungen ausbilden und die Praxis und die Erfahrung wurden als produktive Aspekte unterstrichen.*2 Das Forschende Lernen gilt auch heute als ein gesellschaftlich relevantes Tun und ist als „Prozess der ständigen Befragung jeder vorliegenden Aussage“ (BAK 1970: 214) beschrieben.
Yet Amazon’s actual renewable energy deployment has plateaued at the halfway mark—the last milestone the company lists on its Sustainability Timeline is “AWS achieved 50% renewable energy usage,” in January of 2018—and now even risks decreasing as a total share of the company’s energy supply, as research from Greenpeace energy analysts indicates that Amazon is continuing to rapidly build new data centers without adding clean sources of power to run them with.
In fact, many teens are going out of their way to make their photos look worse. Huji Cam, which make your images look as if they were taken with an old-school throwaway camera, has been downloaded more than 16 million times. “Adding grain to your photos is a big thing now,” says Sonia Uppal, a 20-year-old college student. “People are trying to seem candid. People post a lot of mirror selfies and photos of them lounging around.”
Playing Lichenia is all about trial and error, but that’s because Pedercini wanted there to be an unclear relationship between what you were doing and the effects you had on the world. “I wanted the player to observe the dynamics and not interpret the visuals in the most immediate and normative way,” he writes in the release notes, and this lack of immediate interpretation is helped by the use of Everst Pipkin’s Mushy tileset, which was produced by training a neural network on isometric art.
Good evening people, hope you are doing alright. So I just came back home from the first session from the ¨Mind the Fungi¨, a workshop series concerning DIY mushroom cultivation and the potential of funghi as an ecologic material within the design industry. This is a shared initiative from TopLab, the ¨Citizen Science¨ Research Project from the TU Berlin and the previously hyperlinked Art Lab Berlin. Did you know that the metabolism of funghi is more similar to that of animals than to plants? I certainly did not and found that quite amazing! Just as animal and vegetal cells, funghi are also eukaryotic and feed off organic matter, but they need of Oxygen in order to breathe, unlike plants which absorb carbon dioxide. Funghi play a crucial role in every ecosystem, for they decompose dead organic material, for instance a fallen tree. Imagine if all the fallen trees did not decompose and just piled up! That would be quite a mess. I learned plenty of other exciting stuff such as the importance sterilization protocols for in microorganism cultivation to achieve a ” pure culture” (although that sounds very pure-blood v/s mud-blood Harry Potter racism), and how to make a home-made Agar growth medium for mushrooms. I still have three weeks more to go and I`m excited to see how our colonies will grow!
I can also tell you that this week I learned how to use —removed link to illegal website – please don’t link to illegal websites on an official university blog, even though you might not be happy with the way knowledge is distributed in the world right now — founded in 2011 by Kazakh software developer and neuro-science researcher Alexandra Elbakyan. The search engine takes URL, PMDI or DOI addresses, what — I heard on the internet — is to search the DOI link of a certain article in Google Scholar (where — regular scholars — have to pay to be granted full access) and then just copy it in —apparently, I don’t really know .
Lastly, I went again to the movies and I`d like to recommend the film Mid90`s, which tells the story of Sunburn, a boy entering his adolescence who above all wants to become a great skateboarder and hang out with the big boys. I honestly don`t normally like american dramedies, but I laughed and cried and found that the portrayal of the crisis of masculinity impersonated in the growing up of this youngster, in midst of the domestic violence and poverty of Los Angeles. The kid acts f*cking good as well. For all those who enjoy 90`s aesthetics, go watch it.
Hey everyone, congrats! The sundance worked!! Hope you`ve all been enjoying your sunny Easter Holidays like the good christians that you are :). So, quick Axolotl update! My three new babies -Cecilia, Carmen & Julia- are living now in their aquarium in my room. They`ve had good appetite so far and nip at my fingertips when I stick my hand into the water, it tickles a little bit <3.
Last weekend I attended a DIY chemistry workshop given by chemical artist Kat Austen at Art Laboratory Berlin. The workshop was all about the presence of microplastics in the Panke river, which flows through northern Berlin. Firstly, we collected plastic from the riverbed and water sediment from some nets as our study samples. We learned how to use density to distinguish amongst the most common plastic types, to identify possible polymer particles in river-water samples under microscopic observation and to separate the plastics from organic material. Kat left us this website Hackteria, with plenty DIY chemistry material.
I saw a very awesome and creepy stop-motion animation film, actually from Chile! It`s called Casa Lobo (Wolf House, see trailer) and the plot tells of the nightmarish life of three hostages of Colonia Dignidad, a German-Chilean christian sect and farmland controlled by nazi emigrant and pedophile Paul Schäfer under support of Augusto Pinochet`s dictatorship. The sect was fully operative until Schäfer`s jailing in 2005 if I remember correctly. Quite a horrible place! But the animations are wonderful!
Last thing I wanted to share: last night I was walking out of the U-bahn with a friend and we encountered a band of four very young dudes playing electro-jazz on the street… we stayed for almost two hours! It got super crowded with the audience and people were dancing… they`re called Big Spider, you can follow them on facebook or soundcloud. At the end one of the guys said “Free Jazz!” I dunno, it was a nice spontaneous encounter.
Hola lovely people! I´m Tomás Montes Massa, the Chilean guy studying Spiel && Objekt :). So, I can tell you that I´m quite excited because from next week on I will become an Axolotlfather! These amphibian cuties come originally from the lakes of Mexico Valley and are sadly endangered in the wild. During the last days I´ve had the following gollum-like dialogue buzzing around in my head:
Tomás, we want a pet Axolotl!
No way José, forget it. They´re an endangered species. (José is actually my middle name)
But the critters were born and raised in captivity!
So what? They belong in their original habitat. Just drop it.
I mean they were born here in an aquarium in Berlin. What do you want me to do? Fly over and leave them in a muddy puddle somewhere around México DF? they´d be good as dead. We´ll take good care of them, we promise!
Come on , they´re so WEIRD and ALIEN and CUTE! 😛 😛 😛
well, okay 🙂
Anyway I´m still open to discussion, but I´m stubborn. If by any chance you are interested in Axolotl care read this. I´ll be receiving them from Sarah Hermanutz, a Canadian media artist that lives here in Berlin. Her research has to do with the intersections of performance, technology, and ecology. I find her work very inspiring!
I´d also like to share this information that I found on the website of Amazon Frontlines , an NGO that defends indigenous rights to land, life and cultural survival in the Amazon Rainforest. The Woarani Nation live in eastern Ecuador and were first contacted by outsiders in 1958! Today they stand up against the oil drilling industry and the Ecuadorian Government in order to protect their lives, culture and the jungle. I don´t know if it helps much, but you can support their petition by signing this letter.
Lastly, I`ll leave here a wonderful article on Agrobiodiversity which I found in the online journal Anthropocene, an interdisciplinary peer-reviewed journal that addresses the nature, scale and extent of interactions between people and Earth processes and systems. Underneath an extract from the abstract, so you get an idea.
Multiple knowledge systems are crucial to understand human-environment interactions of the biodiversity of agriculture and food systems (agrobiodiversity). This article synthesizes these knowledge systems to formulate the novel Agrobiodiversity Knowledge Framework comprised of four themes: (1) ecology and evolution; (2) governance; (3) food, nutrition, and health; and (4) global environmental and socioeconomic changes.
!Mediengruppe Bitnik (read – the not mediengruppe bitnik) live and work in Zurich/London. They are contemporary artists working on and with the web. Their practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms. They try to make possible connections between the physical and the digital world and are not afraid of giving away power within their work.
Due to the happenings of the last days, it may be very worth to talk about a parcel !Mediengruppe Bitnik sent to WikiLeaks founder Julian Assange at the Ecuadorian embassy. The parcel contained a camera which broadcast its journey through the postal system live on the internet. They describe «Delivery for Mr. Assange» as a SYSTEM_TEST and a Live Mail Art Piece. Let‘s talk about how those things could be used for theatres.
The combination of experimental forms of storytelling and social theory seems to us like a fruitful if not necessary combination to contribute to the field of research informed arts in which contemporary complex societal issues are presented and discussed adequately. The starting point of our endeavor is grounded on the assumption that societal processes of change, in particular individualization (Beck/Beck-Gernsheim 1994), digitalization (Castells 2001) and deep mediatization (Couldry/Hepp 2017), leave their traces in almost every aspect of today’s society. Hence, these processes also affect and challenge traditional ways of performance and storytelling.
Within the last months, we were often asked, what we were actually doing in our master. The answers are starting to come in now. The first one is to be seen next week at A Maze Festival and is, maybe only slightly surprising, a Game!
We worked quite heavily in the last few weeks to finish the game (and actually still do). The game contains a lot of fun stuff: AR, VR, an Arduino radio game and a flooded model of Berlin- the city, that the players have to save from the influences of climate change. We are very excited to finally present it to the public. Those lucky few who were able to play a prototype just before Christmas had quite a lot of fun, we hope to keep that spirit up now.
A Maze is a (ha!) amazing international Indie Game Festival in Berlin, which will take place from 10th to 13th of April at SEZ. We have the great pleasure to be nominated for the award and show our game at the exhibition within the Festival. The exhibition actually gives visitors the chance to play the nominated games. We are one of 25 games to be played there, so bring some time, visit Be:Bernd and the others. I personally am already very much looking forward to playing macdows95, a puzzle game within an imaginary operational system. Looks like fun! Yet, the festival has, aside from the exhibition, also an interesting program with talks, masterclasses and, of course, parties. Go check it out and see you there!
First things first. Analog offline reading suggestion: Liv Strömquists new book “I´m every woman”. After “the fruit of knowledge” and “the origin of love” the third comic from the feminist cartoonist. She dedicates her book to women who always were overshadowed by her famous men for work that they mostly did together. Unfortunately and hard to believe until now it´s just her first book that is translated to English. The second and third are original in Swedish but translated in German or French.
This week we spoke about networking and how it works and the flaws that come with it and the wonder that all this works on this global extent. I found a nice video that explains two algorithms that are known as error correction tools.
As with the passing of article 13 the end of the internet as we see it was called out but I truly don´t believe in it. The internet is hard to control because there are some nations against global mega companies. And there is always a way to make things work even if it´s legal or not. I found a nice article from WIRED how YouTube actually could gain some money out of it.
Leaving aside the fact that Alphabet, YouTube’s owner, would probably have enough money to invest in licensing agreements with media companies and music labels – YouTube is uniquely positioned to capitalise on the internet’s sudden need for copyright filters. The platform itself has been using a type of copyright filter, its home-brewed Content ID, for over a decade. The algorithm compares newly uploaded footage against a database of registered videos, and demonetises (or takes down) any post containing matching content.
This is my last blog entry for this semester. Next week someone else takes over and I hope you get your reading back and also I hoped you enjoyed the YouTubes as well. Last Video is from Brady Hadan he is the creator of Numberphile and other really geeky YouTube Channels and he has a nice relaxing channel called “Objectivity” where he pulls out random old papers published by the Royal Society and goes through them. This episode it with the physics girl Dianna Cowern.